Banners / Standby Art Director / Wellbeing Facilitator / Fully certified Mental Health First Aider UK/USA 2020-2023 / Fully accredited i-Act Manager 2020-2023
LEO ANNA 'BANNER' THOMAS
  • ABOUT
    • 2019 Anna changes her name to Leo
    • Wellbeing Facilitator / Mental Health First Aider #mentalhealthinfilm
    • Wellbeing Facilitator Petition & Go Fund Me #mentalhealthinfilm
    • CONTACT/CV
  • BIG BANNERS
    • Bohemian Rhapsody
    • Bourne 5
    • The Mercy
    • Bastille Day
    • Suffragette
    • Pride
  • BIG SCREEN
    • Denial
    • Me Before You
    • Legend
    • Trespass Against Us
    • Man Up
    • Nowhere Boy
    • An Education
    • My Talks with Dean Spanley
    • The Edge of Love
    • Eastern Promises
    • Prince of Persia
    • Fred Claus
    • Love and Other Disasters
    • 28 Weeks Later
    • Back in Business
    • Mothers and Daughters
    • The Dance of Shiva
  • LITTLE BANNERS
    • The Crown 2
    • King Charles III
  • LITTLE SCREEN
    • Trigonometry
    • His Dark Materials
    • Black Mirror
    • Little Bird
    • Unforgotten
    • Messiah : The Harrowing
    • Foyle's War
    • Silent Witness
    • The Lavender List
    • My Life as a Popat
    • The Peter Serafenowitz Show
    • Far Out
    • A News Thought
    • Walkers
    • Boots
    • Hovis, Morrisons & Aviva
    • Clock Opera - 'Once and For All'
    • Amy Winehouse 'In My Bed'
  • LIVE
    • Secret Cinema - Laura Marling : The Grand Eagle Hotel
    • Secret Cinema - 'Brazil'
    • Secret Cinema - Compare the Meerkat event MI
    • The Seagull -The Albany Deptford
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2013
Performance Designer: Helen Scarlett O'Neill
Art Production Manager: Rhiannon Newman Brown
Artistic Director: Fabien Riggall
Role: Arts Apprentice
Achievements:    Assisted installation artists in the creation of 'The Financial District', 'Funeral Parlour' and 'Spiro's Restaurant', within a 13 floor office block in Croydon. 
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Hundreds of copies of the 'Financial Times' newspaper were cut and stuck to the entire interior of the office.

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The final look.
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Attention to detail, as everything within the office was covered in newspaper, from the walls, ceiling, blinds to the keyboard, pens and plant pot. 
Hundreds of copper coins were glue gunned to the floor, as over 25,000 audience members continued to leave behind their coins over the 5 week running of the show.
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A maze made from newsprint was connected to the office for audience members to tackle.
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Stages of the 'Funeral Parlour' being developed.  A small room behind the coffin contained many crosses, made from various pieces of wood and stuck to the wall, with extra detail being painted directly on the wall.
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The main 'Parlour' area consisted of a large pink wooden coffin, constructed to allow an actor to remain stood inside and with doors that open up to face the audience members.  Black fablon was used on the windows, to block any sunlight whilst shapes of a cross were cut out and covered with tissue paper, to give a stained glass window effect.
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Measured lengths of black fablon and cut to stick to the walls of the restaurant entrance.

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